Mitsubishi Hi-uni lacquer pencil

Let’s continue celebrating the new year by looking at a rare and special pencil.

Mitsubishi Hi-uni lacquer pencil

Sold individually with a cloth pouch and leather strap closure, it is meant to be a masterpiece of pencil production.

Mitsubishi Hi-uni lacquer pencil

The pencil is a Mitsubishi Hi-Uni HB, finished with a traditional Japanese lacquering process. I am not privy to the technical details.

Mitsubishi Hi-uni lacquer pencil

The pencil was produced in black, navy blue, and brown finishes, with thirty pencils produced in each colour. There are no markings or text on the pencil. The only accent is a section of woodgrain near the cap.

Mitsubishi Hi-uni lacquer pencil

The pencil in the photo is the navy blue version, the only colour I was able to purchase.

Mitsubishi Hi-uni lacquer pencil

Mitsubishi Hi-uni lacquer pencil

The charms are on the subtle side, and the design is very restrained and simple.

Mitsubishi Hi-uni lacquer pencil

pencil talk – the print edition

pencil talk - the print edition

Would anyone be interested in a special print edition of pencil talk? (The above illustration is taken from a test mockup.) Just a concept at this point, it would be a newsletter aimed at our usual readership of pencil users, aficionados, artists, drafters, and doodlers.

Stationery revisited

Let’s take a second look at some of the items we saw last year. Today we’ll recall notebooks and stationery items.

Stationery revisited

The Rhodia pad was the topic of the blog’s first post, back in 2005. I still use the A3 sized No. 38 at my desk. As 2009 begins, Rhodia now produces all sorts of brand extensions and products. Some of these don’t use Rhodia’s traditional paper. Overall, I think this is a mistake. While I now own a few black covered Rhodia pads and staple-bound notebooks, I think the new products are diluting the product name. The corporate parent Clairefontaine owns several established brands, and should have released these new lines under another name.

Whitelines. I can’t quite believe I ordered these samples from Sweden. They are now available at retail all over Canada. I like the products – quite a bit – especially the tablet format – yet the notebooks seem perhaps a bit too conspicuous, and the claims of being easier on the eyes – well, I think it would have been better to let people draw their own conclusions.

Behance Action Paper was another interesting find, which I can also now buy locally! After posting about them, I gave away all but one of the items I had ordered – and the feedback was unanimously positive!

It took me a while, but I started using the “Action Book” I kept, especially when I had a few more tasks to organize. Though it can be part of a fancy organizational system, it also makes an excellent uncomplicated to-do list. I think they’re great.

Stationery revisited

The Exacompta Bloc Faf remains a prized possession. After I “upgraded” to graph paper – the Bloc stays beside the keyboard, and gets daily use.

There have been a few questions about where to purchase it. Nota Bene in Montréal stocks these, and has always treated me very well.

Stationery revisited

The Remake Retro. It looked cool, but the setup didn’t survive. The cover was really accounting ledger paper glued on cardboard, and quickly came apart. Also, the Zebra pencil had a problem – the clip is attached to the cap, and the pencil regularly became detached.

Stationery revisited

Exacompta Record Cards. These I loved. I thought they were a tad expensive, but they are such high quality that I couldn’t resist.

Stationery revisited

I also discovered that the 148x210mm size is precisely the A5 standard (which most software and printers support), so I found a double bonus in being able to easily print templates, headings, diagrams, etc. on the cards in a laser printer, before writing on the cards by hand.

Stationery revisited

I’ve since purchased other items in the line: the A4 record card, which must be the world’s largest index card. Also, colour cards, and a punched version which fits in an associated binder – while it wasn’t my intent, I realized it formed a good quality self-assembled notebook.

Stationery revisited

Nava Notes. I think their date scheme helps enforce the organizational discipline. I gave some of these away, and was shown some quite creative results, where colour highlighters were used to efficiently associate notes with subject matters as well as the date.

The Mucu Type RN-B notebook has worked out. I hope they get better distribution, as it is a good (and fun) product.

Mateo Ilasco – I’ve bought more in the series, which I’ll show in future posts.

Overall, my two favourites (judging by what was used the most) are the Exacompta Record Cards, and the Bloc Faf.

Stationery revisited

Now for something new: The Miquelrius “Twen Magazine Willy Fleckhaus 1959 Grid-it! Notepad”

At an an oversize 265mm x 335mm with an intriguing gridding, it is an amazing notepad. The story is here. If you wonder what layout artists and typesetters did before the computer era, the partial answer is that they were mighty clever!

Stationery revisited

The grid relies on properties of the number twelve (12). The columns, used in pairs, allowed easy mixture of 2, 3, 4, and 6 column widths.

It takes a while to appreciate, but after observation, it seems clear that the challenges of laying out photos and columns for print are immensely aided – probably even in the computer era – by this design. (I have recollections of the challenge of dealing with an electronic typesetter which displayed a line of text at a time.) It is just delightful, both a tribute to the past, and still a useful implement.

The notepad is seen with a 30cm aluminum architect’s scale from emform. (Also a nice dual modern/historic stationery accessory.)

Stationery revisited

Finally, two notebooks from Maruman’s Memosyne series. They both have micro-perforated removable sheets.

Stationery revisited

“Today’s Act” is a clever to-do list notebook. The first column is for numbering the tasks. The second is for checking the task when done, and the main column for describing the task.

A useful instructive diagram is provided.

The “Inspiration” is an A5 sized notebook meant to be used in landscape format.

Stationery innovation is quite alive!

The life of a pencil

Today we have a guest post and photo essay from the highly regarded kiwi-d of Dave’s Mechanical Pencils!

(Photos can be clicked for full size views.)

We all tend to focus on nice new pencils – picturesque in their youthful prime. Here’s a little something beyond those early salad days.

1. The beginning with a world of opportunities out there.
The life of a pencil

2. Office work is not too hard, but over time age starts to show.
The life of a pencil

3. Working outdoors or in the trades is often a little harder on the body.
The life of a pencil

4. Still, things are generally all OK.
The life of a pencil

5. But some don’t take such good care.
The life of a pencil

6. Others take paths of danger or just plain old stupidity and pay the price.
The life of a pencil

7. Luckily though many continue to a ripe old age, handing over to the next generation.
The life of a pencil

8. And spending time as a respected elder.
The life of a pencil

No pencils were harmed in the making of this article.

Matitalia

The committee organizing celebrations for Italy’s 150th anniversary in 2011 is including a pencil design competition with a 5,000 Euro top prize!

With anonymous judging of entries, this sounds like a great competition.

The criteria? Translated by “Google Translate”:

– Ability to reflect the issues and values of “Experience Italy”: 50 points
– Innovations in the use of materials: 10 points
– Appearance of the aesthetic: 10 points
– Originality and innovation: 10 points
– Ergonomic aspects: 10 points
– Environmental sustainability: 10 points

Foreigners may enter, and English is one of the allowed documentation languages. If you look at the Italia 150 website, international tourism promotion is clearly one of the goals of the celebration, so a design from an “outside view” could be a contender.

FILA is naturally one of the sponsors.

2008

2008 saw some major pencil industry developments.

Sanford, a division of Newell Rubbermaid, whose portfolio includes famous pencils such as the Mirado and Venus, announced the 2009 end of their U.S. pencil manufacturing operations. Whether a sign of the times, a reflection on the state of the pencil, or just one company’s fortune, it is definitely a pencil industry milestone.

Fila of Italy, who also own Dixon, added the 202 year old Lyra brand to their portfolio. The end of Lyra’s production in Germany, just as Dixon ended US production, suggests a global strategy of keeping established national brands, while moving production to China.

Colleen, one of Japan’s top manufacturers until about 1997, has had the brand revived in Thailand, and the line is slowly being re-introduced to Japan.

Closer to home, it was a good year for pencil talk. From 2005 through 2007, the few external links received were usually from a familiar handful of other pencil and stationery blogs. While those mentions were always appreciated, it has also felt good to get some wider recognition, especially recent attention from major artist sites such as Booooooom! and lines and colors. Thanks very much!

(lines and colors has some very erudite pencil and graphite discussion! Take a look at JG’s rebuttal of the Kuru Toga praise. (Comment #2.) I hope JG will some day contribute a bit of that knowledge here!)

The site is now visited by about 600 unique IP addresses each day, and hopefully not all of you are bots. We have almost 2000 comments, and over 300 posts. I’ll call that success, but like last year, I’m still frustrated that the blog can be so hard to find with a search engine.

The blog has become semi-moderated, meaning there are some rules to prevent spam which will trigger the moderation function, but many – and I hope most – comments should be automatically approved. I hope this increases the level of interaction.

Now as to the future of the blog – here I’m less certain, and any feedback is welcome!

Is anyone interested in seeing more of what’s behind the curtain of the pencil industry? What makes a lead good or bad? What’s in a lead? (Let’s not let the industry just cite the 200 year old graphite/clay/wax formula when modern patents are now online.) What wood species are used, and from what sources?

Are ‘pencils of the world’ of interest? They can be quite challenging to get, and with a couple of exceptions, rarely get comments when featured. (I’ll still finish showing some Hindustan Pencil Co. and China First pencils, kindly sent by blog readers.)

Would comparison articles be more useful than single item posts? They would of course be fewer in in number.

There have also been regular (and unsuccessful) invitations for guest articles. If I offered to mail the materials, such as a set of related pencils (theme, manufacturer, etc.), would that assist someone in deciding to write a brief review? Just wondering.

Finally, let me mention some great blogs out there.

I’ve neglected to previously mention Strike Thru, perhaps out of the guilt of having sent both a manual Underwood and an electric Smith-Corona to places of transcendence. (Will I be barred from commenting there?) The Underwood may have been highly desirable in some ways, but I hope I can be forgiven – at the time, in a walk up apartment with no spare space, with no car, it weighed a ridiculous amount, and there were no takers after three months of searching. It was used in the family for over 50 years, so it was hard to depart with.

The Smith Corona felt like moving from black and white to colour computer monitors – not necessarily any content improvement, but so “improved”. That “correction” part of the ribbon removed so much anxiety about making errors! No more figuring how to turn around a bad sentence, mid-sentence!

I’ve also been reading Iron Whim over the holidays. I’ll finish it before commenting.

So about Strike Thru – it is a great read, well written, and always interesting. Please take a look.

Spritual Evolution of the Bean is what critical users of paper and journals need. Not just “here’s a PR photo”, but real product photos, testing, use, and description of journals and paper. Absolutely the best information I’ve yet seen on the subject – often testing a journal in ten ways. I do note a corollary – the fountain pen/ink/paper association is a remarkably fragile one, and often doesn’t succeed.

I know that this research isn’t easy to do, and appreciate Bean’s work.

On the pencil front, Dave’s Mechanical Pencils remains the foremost place to read about mechanical pencils. I like those fancy Parker and Delta pencils that have been reviewed! I’ll also mention that I bought a mechanical pencil in 2008 (not yet reviewed at Dave’s) that I love, more than a Lamy 2000, Pentel Kerry, or Pilot VP, all of which I also bought in 2008.

Pencils 11 shows an amazing variety of collectible mechanical pencils, though “Germ” won’t answer my email.

In German (though the humour and excellent photography should be universal) is Lexikaliker. Regularly updated with interesting new pencils and stationery items from Germany, Japan, and elsewhere, it is a must read!

In Japanese – and these can be read through translators, or enjoyed for the photos –

By isu:

the uncomfortable chair This is the name of a novel, not an architect’s stool!

the uncomfortable chair 2

By Kero556:

Collections of Colleen Pencil products that have gone bankrupt , and miscellaneous notes about COLLEEN Pencil.

Kero 556 Annex

By Kossy:

kossy-RS4

By bundoki.com:

Stationery Not the store website – an amazing assortment of the latest pencils and stationery accessories.

(And if you explore the links from these sites, you will see quite a few more stationery related blogs.)

Did I say “finally”? Two more subjects:

1. People want quality pencils! This is the main subject of direct email here, and a good portion of comments. I’ll guess that those taking the initiative to write are the “tip of the iceberg”. There is a huge business opportunity out there to offer an international selection of quality pencils to consumers – if anyone is interested in doing so. I am almost tempted to try this myself.

2. Favourite pencils. A few design firms, artists, and architects have written or commented about their need for a pencil that may no longer be manufactured. Unfortunately, there is no easy answer to these questions. If you rely on a specific pencil for your living that you think can’t be replaced – buy the supply you need now! It supports the manufacturer, encourages future production, and provides insurance to yourself.

Happy new year to all!