Pencil Boxes (II) – Graf von Faber-Castell

Graf von Faber-Castell pencil box

Faber-Castell seems to be the sole major manufacturer currently offering a wooden box of pencils. And what a box it is!

Graf von Faber-Castell pencil box

Their offering has a removable lid, and it houses a dozen fantastic pencils, the Graf von Faber-Castell pencil.

Graf von Faber-Castell pencil box

The outer packaging says “12 bleistifte” (12 pencils), which although truthful, is an incredible understatement.

Graf von Faber-Castell pencil box

My only grumble is with regard to the plastic insert that actually surrounds the pencils – it seems kind of cheap for the neighborhood, and will likely become dirty from contact with graphite over time. Otherwise, well done!

Graf von Faber-Castell pencil box

Pencil Boxes (I) – Neiman Marcus

Neiman Marcus pencils

Sometimes pencils need a home, and one fine traditional home is the pencil box.

I’m sure I once had a nice wooden box of Blackfeet pencils, but I can’t find it. So, I decided to take a look around for other pencils still sold in wooden boxes. Here is what I found.

One place I looked is on Ebay, where I picked up this second hand box. The box is austere yet functional, with a sliding lid. It looks just like an archetypal old pencil box. The underside is stamped Neiman Marcus. I just looked at the Neiman Marcus website, and they still sell boxes of pencils – in no less than faux crocodile with matching box, though there is no offer of customization.

Neiman Marcus pencils

Inside the box are a dozen or so pencils, and it looks like it could easily accommodate a dozen more. The pencils have a person’s name stamped in gold letters. There is a title, initials, and a surname. The title might be civilian or military, and I’ll guess these were working pencils on an official desk.

Neiman Marcus pencils

The pencil, unfinished, is somewhat rough to hold, and the lead is a slightly scratchy light H or so grade. Still, they do the job. While there are novelty pencils aimed at children with pre-printed names (too bad if you have an unusual name), I don’t think a lot of adults today get their own name printed on a pencil. Too bad. This is a very nice grown up and practical appreciation of the pencil.

Neiman Marcus pencils

Faber-Castell 1117 pencil

Faber-Castell 1117

Natural finish pencils have deservedly earned a following. Today we’ll take a look at Faber-Castell’s offering in this market segment, the 1117.

This pencil has a ferrule and eraser, untypical of Faber-Castell pencils, and possibly suggesting that it’s aimed at the North American market. But it seems to be sold mainly (solely?) in Europe.

The pencil isn’t all that “natural”, and doesn’t reveal that much of the woodgrain, in comparison with a Musgrave HB for example.

There is a silver-coloured ferrule and white eraser – the same ones used by the erasered version of the Castell 9000. The ferrule is quite nice, possibly one of the nicest on the market today.

Faber-Castell 1117

Markings are minimal, in white ink:

Side 1 (Obverse): GERMANY SV 1117 2=B [logo] FABER-CASTELL
Side 2: blank
Side 3: blank
Side 4 (Reverse): blank
Side 5: blank
Side 6: blank

The wood resembles that of the Castell 9000, and not the Grip 2001, so I suspect it is cedar.

The box says “Eco-friendly water-based varnish.”

The pencils in my box ranged from 4.1g to 4.6g, with a 4.4g mean. This is the narrowest range that I’ve yet seen. The weight puts them below the Musgrave HB, and just above modern eraser-less pencils.

The grip is matte and just slightly rough. I’m a little surprised that Faber-Castell would sell a pencil in this format, as it contradicts their general design approach, which tends towards the finished and refined end of the spectrum.

Faber-Castell 1117

So what does “2=B” mean? They seem to use this scheme with the Grip 2001, but not the Castell 9000. For a given vendor, an HB and a B pencil will only be different by a minor gradation. Anyhow, this lead may be a ‘B’, and is dark and rich, certainly better than most pencils.

It’s a good pencil, and I can imagine the 1117 becoming popular.

Pencil shavings collage

Pencil shavings collage

Last week, I received a beautiful gift from a very creative person. It’s a collage which uses pencil shavings as material.

Pencil shavings collage

A glass frame made it challenging to photograph, but I hope that some of the essence is conveyed. In person, it is quite wonderful to behold.

Books on Pencils (I)

Sorry for the delay since the last post. The entire editorial staff was under the weather this week.

Following up on the excellent contributed list of children’s books on pencils, we’re going to take a look at three adult-oriented books on pencils.

Marco Ferreri, Editor. Pencils. Mostre Georgetti, Milan, 1996.

Bill Henderson, Editor. Minutes of the Lead Pencil Club. Pushcart Press, Wainscott, NY, 1996.

Henry Petroski. The Pencil. Knopf, New York, 1992.

Books on Pencils

Pencils is a beautiful and inspiring tribute to the pencil.

Alessandro Ubertazzi writes in the introduction:

One of the reasons for the pencil’s appeal is a latent analogy with the human existence – it’s inevitable end. The pencil is used, it gets sharpened, consumed and disappears.

The volume is a catalogue of an exhibition that occurred in Milan in 1996/1997. It has not just beautiful prose, but stunning, amazing photographs of the pencils in the exhibit.

My favourite photo shows a set of 24 pencils, each made from a different wood. I would love to own this set of pencils!

Every category of pencil is given tribute as part of an exhibition that promoted the “minor arts”: note taking pencils, non-writing pencils, yellow office pencils, black pencils, pencils with rulers, pencils with names, Mussolini’s pencil, unfinished pencils, decorative pencils, advertising pencils, indelible pencils, working pencils, red/blue pencils, Marotte pencils, compass pencils, pencils with caps, mechanical pencils, precious metal pencils, 4-colour pencils, Mordan pencils, celluloid pencils, vulcanite pencils, mechanical pencils disguised as woodcase pencils, pencils that look like pens, aluminum pencils, and many others, all with beautiful photos.

The book mixes photographic tribute with contemplation of this everyday implement.

The ritual of sharpening is of paramount importance since it embodies the concept of regeneration. The point of the instrument becomes sharp once again, the wood dirtied by hands and time regains its natural colour and releases a vague but enticing smell of resin.

As essay in pictures, accompanied by words, Pencils is very adept at probing the fascination of these special bits of wood and graphite.