Category: pencils

The Eagle Reporter is a pencil aimed at professional stenographers and reporters. Though the Reporter is no longer made, the tradition continues with modern pencils like the Faber-Castell 9008, a round version of the 9000 aimed at stenographers.

The pencils are a shiny aqua-blue and are marked:”Made in U.S.A. Eagle “Chemi-Sealed” Reporter 300″.

The box has a four paragraph writeup on the pencils, which begins “Stenographers and Reporters have long approved the thin diameter and special lead of these superb pencils.” Two Eagle pencil patents are mentioned.

Apart from artists and carpenters, do any other professions today have pencils made for them? I can’t think of any. There are special pencils for marking film, x-rays and other surfaces, but they’re not graphite writing pencils.

Let’s get to a distinguishing feature: They were sold pre-sharpened at both ends. A very practical response to the need to sharpen the point, that I haven’t seen elsewhere. It does make the pencil quite pocket-unfriendly though. Only slightly less obvious is how thin these pencils are. Vintage woodcase pencils are generally thicker than modern pencils, but these are the opposite. The leads appear greyer than any modern graphite core – more about this later.

As a writer, the pencil puts down a nice dark line which seems unexpected from the delicate looking pencil. The core does seem very strong and can take all the pressure I would want to give a pencil.

The patents seemed like an interesting aspect of the pencil. Luckily, I’ve found that the U.S. patent office is online and searchable.

I looked them up and was delighted – they’re not written in legal gibberish, are quite readable and brief, and have some excellent drawings.

The first patent is 1,854,905, Pencil and Method of Making Pencils by Charles Kaiser, Sr., filed November 25, 1929. The essential idea is strengthening the pencil casing by varnishing the pencil slats with copal. I had never previously heard of copal. It is a tree resin with a significant cultural history. There is an interesting paper on copal here. The terminology is different than today – a pencil casing is called a “sheath”, and a slat is called a “blank”.

The second patent is 1,892,508, Lead Pencil and Method of Making the Same by Narciso Gonzalez, filed March 27, 1931. The patent mentions that pencil leads typically contain tallow or stearic acid, and are thus greasy. This in turn intereferes with glue used to bind the lead to the pencil case. The problem is solved by first dipping the lead in sulphuric acid, washing it with water, then a second exposure is given, this time to diluted sulphuric acid, while a salt solution is applied. The glue then has a much easier time bonding to the lead.

Tallow being a pencil lead ingredient is news to me. I have no idea how widespread these techniques were in the industry when the Reporter was on the market, or if they’re still around today, but these patents demonstrate some of the research that has gone into making these everyday items so functional.

I’m quite pleased to be able to report on a first rate pencil discovery!

Sometimes writing instruments present us with choices between form and function: something that writes well, but doesn’t meet our aesthetic standards. I don’t think this is a major issue for pen users – high price points can be realized for fountain, rollerball, and ballpoint pens, which means that pen manufacturers are able to attract significant design resources and talent. But for the woodcase pencil, who apart from Faber-Castell seriously invests in design?

The answer is Nava. They are an Italian brand known for leather journals and briefcases. I recently discovered that they make pencils – and what pencils they are!

Beautiful round pencils, in finishes called Nero, Anthracite, Silver, and Bianco. They all have a small silver Nava logo, an orange band, and the top of the pencil is black. The lacquer is very nice – a refined slightly matted finish rather than super smooth, and very nice to handle. The wood (I think cedar) is dyed black. They are really eye catching. The Nero (black) pencil in particular with the dyed wood just looks spectacular, though they all look great. They perfectly match black notebooks like Moleskine.

Now here’s the thing – I really doubted these pencils were anything more than a fashion-type product – but I was wrong – they are absolutely first rate. The lead (unidentified grade) is rich and lays down a nice line in what might be a B or perhaps a 2B in other lines. They are as good as the best pencils that we are familiar with.

They also just “look like pencils”, if that makes sense. No bright colours, no extras – just the basics, done very, very well. They truly have achieved elegance through understatement.

Nava probably doesn’t make the pencils – they’re not a known manufacturer, so the task was likely outsourced – but unlike 99% (maybe more) of those who start a pencil line, they clearly didn’t say “get us the cheapest” – they said “get us the best”. I think they succeeded, whoever the manufacturer was. Bravo.

Being quite a pencil aficionado (a.k.a. leadhead) myself, I really looked forward to trying this pencil. I had read quite a few blog entries about how excellent it was. Alas, getting some in Canada was quite a chore. Initial email to Cal Cedar went unanswered, but I didn’t give up and tried their Ebay webform, which provided the necessary contact.

For me, there was a big surprise about these pencils, whose plastic box uses the phrase “American ingenuity” and whose name and marketing invoke the name of California. I had also read about international pencil dumping issues on the excellent Timbelines blog. The surprise for me was that they don’t say “Made in U.S.A.” or any other country of origin on the pencil. Some further web browsing indicated that the pencils are made in Japan. But the phrase “Pan-Pacific ingenuity” may not read as well.

They are packaged in a clear plastic box. I think Cal Cedar should consider either a tin or wooden box as an option. There were dozens of Faber-Castell centennial tins at a local store a few weeks ago – they are all gone now (late January), and I have no idea who around here (other than me) spends so much on pencils – but many people clearly do.

The pencils were coated in graphite dust when I took them out of the plastic. I’ve never seen that before, even with the cheapest pencils, though it was a minor issue. Unpackaged, the first thing I noticed is how the web photos I’d seen hadn’t conveyed the colour, which isn’t exactly red – more a light reddish orange, though not dark like a “blood orange”. The finish is nicely lacquered, richer than most pencils and similar to a Staedtler Mars Lumograph (though I fear the new Staedtlers with the silver markings already represent a diminution of their previous outstanding level of quality).

As a writing implement, I think I finally found the source of the praise – it’s the lead! While different manufacturers may have different grade interpretations, the Palomino is degrees darker – at the same level of hardness. By this I mean an HB seems like a typical 3B, but isn’t as soft and doesn’t need the constant sharpening of a 3B. The only downside I can think of is that some may find these pencils too dark in comparison to their expectations of pencils at specific grades.

I tried side by side comparisons with other pencils, and the Palomino HB is easily the darkest. It’s probably as dark as a 2B or 3B Staedtler. It’s also a smooth writer, and the lead is strong, so overall, it’s an excellent pencil.

Pictured above are two pencil extenders (and a new pencil for comparison). They are devices that give a second career to pencils that might otherwise be approaching retirement. Pencils can last quite a while, so the ones that have been used until they turn into stubs are probably the really good ones – the ones we most often choose for our writing or drawing tasks. These extenders can allow a pencil to be used even when many sharpenings have made that pencil no longer comfortable or practical to be held in one’s hand.

Above are a No. 1098 N Koh-I-Noor, and a Cretacolor extender, with a new Cretacolor pencil for comparison.

I found them both at art stores. They are quite comfortable and simple to use. The pencil stub is placed in the opening, and a clamping ring moved to secure the pencil. With certain pencils being hard to replace or expensive (e.g. artist’s pencil crayons), one or two of these extenders could certainly be a good investment.

The Blackfeet Indian Pencil is a unique creation. It is a quality pencil that has a varnished natural wood encasing that was years ahead of others in recognizing that the natural beauty of wood grain could be embraced by the public, if presented properly. The varnish is thick and polished – it doesn’t look like (and isn’t) something one would find at a generic office supply store.

The original had black imprinting with a small horse and rider logo, and the words “THE BLACKFEET INDIAN PENCIL” and the digit 2 for the lead hardness. There is a silver ferrule and light pink eraser. It writes nicely and the lead doesn’t crumble or splinter. A later version had a black ferrule and dark pink eraser. Unfortunately, this later version doesn’t maintain the quality of the classic version – the varnish is thinner, making the pencil less pleasant to hold, and the black ferrule doesn’t match the pencil as well, and can distract the eye.

The pencils were made in Browning, Montana by the Blackfeet Indian Writing Company as part of a tribal owned economic initiative. I gather up to a hundred people may have been employed at the company’s peak, but it sadly appears to have been dormant the last few years.