Felissimo pencils

A few people have asked, “What happened to the Felissimo pencils?”

About a year and a half ago, I wrote about an unusual offering of 500 colour pencils. (I learned about this set from Japanese pencil blogs.) I was soon contacted by the manufacturer, who were planning a global launch, and was offered a set of pencils in exchange for some modest publicity.

Felissimo had a very unusual sales model – 500 colour pencils for sale, but delivered in twenty monthly sets of twenty-five!

I wrote about the first few sets they sent me, and then – the New York based program was relocated to company headquarters in Japan. I was really surprised – it seemed like a complete success story to me. I believe these pencils gained more prominent US media coverage than any recent pencil offering of any type. (New York Times, Martha Stewart, and many others.)

Since then, there was a gap of several months, followed by some pencil sets arriving in fits and spurts. I don’t have any contacts at the company, and I’m not sure if I will receive all 500 pencils. I’ve not complained. Some of the original staff may have been laid off, so some perspective is called for.

I thought I would show just what happens when a monthly Felissimo set arrives.

First a cardboard box arrives via Japan Post EMS:

Felissimo pencils

There is a cellophane wrapped interior box:

Felissimo pencils

Sans cellophane:

Felissimo pencils

An insert forms a guide to the pencils, if you can read Japanese:

Felissimo pencils

The order in which the pencils are sent seems to vary, based on what I’ve read online. A small circled numeral seems to represent the box number:

Felissimo pencils

This set seems to be dark blue and purple variations:

Felissimo pencils

Slightly closer:

Felissimo pencils

In an acrylic display:

Felissimo pencils

I’m not sure where this is all leading, but I’ll show more if there is interest.

If the pencils don’t suffice, Felissimo just announced a 500 crayon set.

FILA’s global pencil

Dixon Ticonderoga, Fila Temagraph, Lyra Temagraph

Made by the FILA Group, these pencils from subsidiary brands appear to be roughly the same. They are made at FILA’s main plant in China, and sold under established national brand names. Very established brand names – LYRA (Germany) dates from 1806, and Dixon (USA) from 1795. FILA itself is a relative newcomer, established in 1920.

The Dixon Ticonderoga seems to be the model for the others. It looks just like predecessor versions, minus the “U.S.A.”

The FILA Temagraph is an established brand, but it has been redesigned to resemble the Ticonderoga. The version with an eraser is pretty much a Ticonderoga clone. The one without eraser has an interesting metal cap, with the grade in large letters. It carries on the Ticonderoga ferrule look in an alternate form.

The newest of the bunch is the LYRA Temagraph. The cap has a splash of colour, and is part of a scheme used by other LYRA pencils such as the Robinson. Though the box says the pencil is made in China, the pencil itself is stamped “Germany”.

Dixon Ticonderoga, Fila Temagraph, Lyra Temagraph

Though they look roughly alike, the pencils seem to have different cores.

Are there others in this series? Do you like what FILA has achieved with this pencil line?

Update: November 18, 2010 There is indeed at least one more! Please see AMOS DIXON Ticonderoga at Bleistift.

Roxy No. 188 12B pencil

It goes to 12!

Roxy No. 188 12B pencil

If you think 10B is the softest grade on the market, note that Taiwanese brand Roxy offers their No. 188 pencil in 12B.

Roxy No. 188 12B pencil

Unfortunately, the Roxy 188 is a scratchy carbon pencil, leaving a line perhaps comparable to – I’m not sure what. Even “hard” compressed charcoal is smoother and more usable.

Roxy No. 188 12B pencil

The “12B” label seems to be a gimmick. The pencil does have a triangular shape and a nice enough finish.

Roxy No. 188 12B pencil

My thanks to blog reader Robert for sending me this pencil.

Mitsubishi’s extremely soft pencils

Mitsubishi's extremely soft pencils

For drawing and shading, the super dark marks of the softest grade pencils can be very appealing. These soft grades typically go up to 6B in the ranges of many manufacturers. Anything beyond that can be very hard to find, especially as a traditional graphite pencil.

Some manufacturers offer very dark pencils in “carbon” or “ebony” lines – but these are typically composed of charcoal, carbon (soot or lamp black), or oil based, rather than graphite.

And some pencils that use the traditional B grades, like the Staedtler Mars Lumograph 100 7B and 8B, are carbon based pencils.

Tombow stops at 6B, as did Mitsubishi – until 2008, when they added 7B, 8B, 9B, and 10B to the Hi-Uni lineup.

Mitsubishi's extremely soft pencils

On Strathmore Bristol 300 series 260gsm (100lb) paper (acid free, white, smooth), trying the new Hi-Unis is like tasting county fair caramels – they are all amazingly smooth and delicious. The 9B and 10B have decidedly wider cores. On this paper, and others such as Fabriano Disegno 200gsm (94lb) paper (acid free, toothy), I have trouble really seeing any greater saturation or darker line among the various grades.

Mitsubishi's extremely soft pencils

I think these pencils provide a really interesting and satisfying experience, which I recommend to anyone seeking to lay down exceptionally dark lines.

Now the above are the mainstream pencils – but there are (at least) three others. The fude enpitsu (brush pencil) is a gold finshed 10B pencil with a Hi-Uni cap. We took a look at it in 2008. I still agree that it a has a waxier feel. On paper, it may be just a shade lighter.

Mitsubishi's extremely soft pencils

The Super-DX remains an amazing specimen of pencilcraft – the finish is just astounding. As noted previously, it has a very wide core. And a couple of years after first looking at the Super-DX, I still find it to be smoother than the “regular” 8B Hi-Uni, and the lead possibly just a degree more saturated.

Mitsubishi's extremely soft pencils

There is one more – a “secret” Hi-Uni 8B that predated the official 2008 extension of the Hi-Uni line. There is some background information at Brand Name Pencils. The “Kouhitsu Yo” has different markings and a wider core than the new 8B Hi-Uni, but otherwise seems to be the same pencil.

If you understand Japanese, it would be greatly appreciated if you could advise on the meaning of the text on these pencils.

Close up, the cores of course look very different from office/school pencils:

Mitsubishi's extremely soft pencils

If you’ve used any of these super soft grades, please share your thoughts!

Related reading:

Mitsubishi 10B pencils: the brush pencil (fude enpitsu) and the Hi-uni (pencil talk, November, 2008)

Mitsubishi Hi-Uni Super-DX and Hi-Uni 8B pencils (pencil talk, November, 2008)

Mitsubishi 10B – Part 2 (Dave’s Mechanical Pencils, October, 2008)

Mitsubishi Hi-Uni 10B premium wooden pencil and Pencil Extenders (Lung Sketching Scrolls, December, 2008)

Five years

pencil talk started as a small website in 2005. Five years, 534 posts, and 4,666 comments later, we’re still a small website, but we’re also proud to have gained an international following of pencil users, aficionados, artists, drafters, and doodlers.

The website started as a blog with irregular looks at stationery and pencils. The first post was about Rhodia and their enigmatic orange writing pads. The post was viewed many times, and quoted elsewhere, yet never received a comment.

The second post was about the Blackfeet Indian Pencil. Two hundred words and an amateur photo, it has received dozens of comments to date, some of which are stirring reminiscences. If it wasn’t already clear at that point, any doubt was removed – woodcase pencils strike an emotional chord with many.

Though we’ve read Petroski’s book, Schulz may have been the master of the subject. Charlie Brown had some “pen misfunctions” while trying to communicate with his pen pal, and soon switched to pencil. His “Dear Pencil Pal” letters soon became a great ongoing essay and insight into the child’s awakening consciousness. This is at the heart of what a pencil really is – a writing implement, yet also an object imbued with humility and humanity.

The appeal of pencils takes many forms.

Carpentry pencils may be the oldest type of woodcase pencils – with rectangular or oval wood encasing , they won’t roll off a sloped roof, and epitomize the pencil as a working tool.

Test scoring pencils may have origins in the IBM labs, but are now used by students and test takers around the world. Their objective? Make sure their mark is read!

Steno pencils, used by shorthand practitioners and stenographers, are typically round and thinner than general writing pencils.

Copying pencils leave an indelible mark. A mainstay of commercial life before either fountain or ballpoint pens entered the world, they continue to have many uses.

Red and blue pencils are a fascinating specialty pencil. They are two colours of pencil in one – red and blue – potentially representing contrary conditions – debt vs. surplus, or even good vs. bad, yet also bound together at the centre.

Highlighting pencils serve to focus our attention on printed text, whether an office memo or a school book.

Yet the ordinary lead pencil – graphite and clay, baked in a kiln, remains at the centre of our interest. And we’ve only just scratched the surface!

I’d like to thank some longtime supporters.

First and foremost, two others who also write online about pencils, Gunther from Lexikaliker, and David from Dave’s Mechanical Pencils. They have both been sounding posts and sources of many creative ideas.

As well, other online presences – kero556 from Colleen Pencils and isu from the uncomfortable chair. Both kero556 and isu have graciously shared knowledge and pencils (only a portion of which I’ve shown) that completely changed my awareness of the possibilities of pencil making. Keen online observers will note that products in stores often follow the lead of blogs. If you appreciate the online availability in 2010 of Mitsubishi and Tombow pencils in Europe and North America, I would argue that some credit is due to these Japanese bloggers who reached out to Western counterparts some years ago.

I must also thank Nick of One Stop Japan Shop on eBay, who was an early enabler, even before Bundoki, Rakuten, et al.

Fellow pencil bloggers – Kent, Kim, Boris, Sean, Matthias, John, Akinobu, and others on the broader stationery front – Diane, Michael, and Cheryl – have all been inspirations.

From within the industry, WoodChuck from California Cedar, Harshad from Doms India, José from Viarco, and Katie from General Pencil have all been very kind. I’ve also appreciated the assistance at times from the public relations departments of Staedtler, Faber-Castell, Stabilo, and Lyra. These companies are done proud by their always professional representatives.

Let me specifically thank those who have sent pencils over the years – General, Musgrave, and Marco from within the industry. From individuals, people representing over ten countries: kero556, isu, Kent, Jieun, Robert M, Gunther, Matthis, Frank, David O., Diane, Sean, Barrel of a Pencil, Henrik, David, hemmant, dasmarians. Thank you all. I apologize if I have left a name out.

As well, let me give a special acknowledgment to the guest contributors. I regret that these contributions didn’t receive even more attention – every single one was first rate!

Children’s Books on Pencils by ZS. A bibliography of nine children’s books with pencil themes.

Get The Lead Out! by Barrel of a Pencil. A pencil themed crossword puzzle.

The life of a pencil by kiwi-d. It looks just like a post from his blog!

My father’s pencil by Finn. An appeciation of a special pencil.

These posts are all great, but I’d like to particularly mention Barrel’s contribution – Jim worked for months on the puzzle, responded to all issues with revisions, and even purchased some special software to be able to publish the professional looking PDF version. Thank you again, Barrel, it was a unique contribution.

So about the blog…

If the internet moves in dog years, we are grown up!

The initial motivation was to test this new “weblog” phenomenon I was hearing about. Though they were options, I didn’t want to write in a public forum about family or work. Stationery, and pencils in particular, seemed like a harmless and pleasant subject. Little did I know that years later, the blog would become part of an unorganized yet very real international community.

There has been criticism for focusing on the means rather than the end. But an interest in the means hardly excludes an interest in the end, and even the most casual look at those interested in pencils reveals a very broad range of highly accomplished people in both arts and science realms. These people are creators of that “end”. Further, I think the blog has often shown that pencil making is itself a form of craft, and sometimes art.

There have been some regrets. It isn’t a paying job, so there are inevitable slowdowns and gaps in posting. (The last couple of months are an example.) As well, responding to email queries has been a challenge at times. Finally, there seems to be no way to write about pencils without having and using pencils. Without intending it, I have accumulated way too many pencils to use or enjoy them all.

Thank you to all the readers and commenters for your support over the years.